With the number of alternatives available on the market, getting the right one could sometimes be a difficult task.. That’s why our platform is dedicated to product testing and coming up with this list of top 10 best studio microphones. Having done thorough research on this topic, we hope that our list will help you find the one you need!
In Hurry? Checkout Our Top Pick Of Best Studio Microphones.
Our Top Pick
9.7/10 our score
Best Studio Microphones
Rank | Product Name | Score |
---|---|---|
1 |
AKG C414 XLII |
9. 7 |
2 |
Shure KSM32/CG |
9. 5 |
3 |
Audio-Technica AT4053 B |
9. 1 |
4 |
AKG Pro Audio C451 B |
8. 8 |
5 |
Sennheiser e901 Boundary Layer |
8. 6 |
6 |
Neumann U 87 AI |
8. 2 |
7 |
AKG D12 VR Dynamic |
8. 0 |
8 |
Peluso 2247 LE |
7 .7 |
9 |
Audio-Technica AT4050 ST |
7. 4 |
10 |
Audio-Technica AT 5040 |
7. 2 |
1. AKG C414 XLII
9.7/10 our score
- Sonic character of the famous AKG C12 delivers astounding sound quality for lead vocals and solo instruments
- Nine selectable polar patterns for the perfect setting for every application
- Three attenuation levels (-6/-12/-18dB) for close-up recording or high-output sources of up to 158dB SPL
- Three switchable different bass-cut filters to reduce wind noise, stage vibration or proximity effect
- Overload warning with audio peak hold LED to detect shortest audio peaks
2. Shure KSM32/CG
9.5/10 our score
- Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.
- Embossed, high-compliance diaphragm provides extended low-frequency response.
- Ultra-thin, gold-layered, low-mass, Mylar diaphragm for excellent transient response
- 15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
- Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.
- Integrated three-stage pop protection grille reduces "pop" and other breath noise
- Internal shock mount reduces transmission of handling noise
3. Audio-Technica AT4053 B
9.1/10 our score
- Specially engineered to meet the most critical acoustic requirements of professional recording, broadcast and sound reinforcement
- Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Direct-coupled, balanced output results in a clean signal even under high-output conditions
- Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients
- Switchable 80 Hz hi-pass filter and 10 dB pad
4. AKG Pro Audio C451 B
8.8/10 our score
- The C451B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound
- The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C451B are a solid foundation for creating another legend
- The Best Selling Classic is Back! Precise artistic work deserves precise artistic craftsmanship
- A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969
- Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend
5. Sennheiser e901 Boundary Layer
8.6/10 our score
- Frequency response optimized for bass drum
- No stand needed -- just lay it on a towel or pillow
- Standard XLR plug: no adaptor cable needed
- Capable of handling extremely high SPLs
- 10 year warranty
6. Neumann U 87 AI
8.2/10 our score
- Variable large diaphragm microphone
- Pressure-gradient transducer with double membrane capsule
- The studio microphone classic
- Three directional characteristics: omni, cardioid, figure-8
- Set includes U 87 AI, EA 87, WS 87, IC 3/25
7. AKG D12 VR Dynamic
8/10 our score
- Ultra thin diaphragm for accurate reproduction of the instruments sound
- Optimized bass chamber for enhanced low frequency performance
- Patented switchable active-filter presets three sound shapes to match the drums character
- Original C414 transformer delivers a warm sound especially at high signal levels
- Cardioid polar pattern rejects overspill from nearby instruments
8. Peluso 2247 LE
7.7/10 our score
- Condenser Pressure Gradient w/ 34mm capsule
- Polar Pattern: 9 - Switchable from omni- to bi-directional
- Frequency Range: 20Hz/22Khz
- Power Requirements: Dedicated Power Supply
9. Audio-Technica AT4050 ST
7.4/10 our score
10. Audio-Technica AT 5040
7.2/10 our score
- Studio vocal microphone audio-technica’s Premier studio vocal microphone, The AT5040 represents a milestone in condenser design, offering remarkably musical high-fidelity performance, with profound realism and depth, presence and purity of sound. Designed as a first-choice vocal microphone, The AT5040 cardioid condenser features an extremely smooth top end with controlled sibilance. Large-diaphragm characteristics and fast transient response also make it ideal for recording acoustic instruments such as piano, guitar, strings and saxophone. Four-part rectangular Element The first of our design criteria for the AT5040 was purity of sound. To achieve this, Audio-Technica engineers developed a four-part rectangular Element, The pinnacle of our recent breakthroughs in sound-capture technology. Four exquisitely matched ultra-thin diaphragms function together (with outputs proprietarily summed) as audio-technica’s largest-ever Element, providing combined surface area twice that of a standard one-inch circular diaphragm. By using four diaphragms in a single capsule, the AT5040 delivers the benefits of an exceptionally large diaphragm-alongg with an extremely low noise floor-withoutt increased weight, decreased transient response or other drawbacks that typically restrict diaphragm size. Another key AT5040 design feature is advanced internal shock mounting that effectively decouples the capsule from the microphone Body. For additional isolation, each AT5040 is also provided with audio-technica’s innovative new AT8480 shock mount. 100% quality control every AT5040 is hand assembled and individually inspected for 100% quality control. Each studio microphone is enclosed in an elegant housing of aluminum and brass with high-quality gray finish for durability and low reflectivity. Discrete components have been selected for optimized capsule performance, in fact, every aspect of the microphone has been carefully considered to minimize any effects on the audio signal. Features: audio-technica’s Premier studio condenser vocal microphone extremely musical high-fidelity performance, with profound realism and depth, presence and purity of sound four rectangular diaphragms (2 micron) function together as audio-technica’s largest-ever Element, providing combined surface area twice that of a standard one-inch circular diaphragm exceptionally low noise and wide dynamic range ideal for studio vocals discrete components carefully selected for optimized capsule performance high-SPL capability and extended frequency response hand assembled and inspected for 100% quality control advanced internal shock mounting decouples the capsule from the microphone Body ELEGANT, durable housing of aluminum and brass included advanced-design custom AT8480 shock mount provides superior isolation custom hard-shell carrying case with die-cut foam compartments offers protection during storage and transport specifications: Element: fixed-charge back plate, permanently polarized condenser polar pattern: cardioid frequency response: 20-20, 000Hz open circuit sensitivity: -25 dB (56.2 mV) Re 1V at 1 PA Impedance: 50 ohms maximum input sound level: 142 dB SPL, 1 kHz at 1% T.H.D. Noise: 5 dB SPL dynamic range (typical): 137 dB, 1 kHz at max SPL signal-to-noise ratio: 89 dB, 1 kHz at 1 PA phantom power requirements: 48V DC, 3.8 mA typical output Connectors: integral 3-pin XLRM-type dimensions: 165.3 x 57 mm/ 6.51 x 2.24" Weight: 582G/ 20.5oz